新世纪以来随笔体批评的革新

Innovations in Essay-Style Criticism Since the New Century

21世纪以来,随笔体批评出现了诸多变体,以网络短评、报纸期刊专栏随笔批评以及文本与超文本融合的播客类批评为典型代表。在文体结构上,随笔体批评以更加张扬的主体性、更灵活的文体形式与时代新变接轨,展现出蓬勃的生命力和阐释潜力。随笔体批评主体从“我”本位出发,实现了向内与向外的双向延伸,在“我”本位与读者立场之间形成了一种紧张的对位关系。进入21世纪以后,中国本土的随笔体批评经历了对旧有文体的创造性转化,在文体价值、文学批评价值、社会价值三个维度上,以其包容性的特质有效衔接了公域与私域,奠定了自身的独特地位。

Since the new century,essay-style criticism has witnessed various mutations,exemplified by online short reviews,newspaper and journal column essays,and podcast critiques that blend text and hypertext.In terms of stylistic structure,it connects with the new changes of the era through more pronounced subjectivity and more flexible forms,demonstrating vigorous vitality and interpretive potential.Essay-style criticism originates from a self-centric perspective,achieving a bidirectional extension both inwardly and outwardly,thereby creating a tense counterpoint relationship between the self-centric stance and the reader's position.In 21st century,after undergoing a creative transformation of old styles,essay-style criticism has become a practical paradigm that tests contemporary literary criticism standards across three dimensions,social value,stylistic value,and literary criticism value,establishing its unique status.