摘要
“博古”一直以来与文人有紧密的联系,至清代,作为汉文化代表的博古图像极为盛行,且表现形式丰富。由此,以瓷器上的博古图像为研究对象,试图使用叙事研究方法对清代瓷器上博古图像背后的文化隐喻展开讨论。将瓷器上的博古图像分为3个类别:一是以古器物为主体的图像研究,探索这一类图像与当时文人鉴古风气以及文人文化思想的关联;二是分析博古元素作为辅助图像在文人场景中的表现与应用,探究瓷器上博古元素在文人空间的象征寓意;三是以美人空间中的博古元素为研究主体,分析“不在场”的文人对于女性空间的理想化构建及其图像背后的意义。
"Antique"has been closely related to literati.To the Qing Dynasty,as a representative of Han culture,antique images are extremely popular and have rich forms of expression.Therefore,taking the antique images on porcelain as the research object,this paper attempts to use narrative research method to discuss the cultural metaphors behind the antique images on porcelain in Qing Dynasty.The antique images on porcelain are divided into three categories:first,the image study of ancient artifacts as the main body,to explore the relationship between these images and the ancient culture and cultural thoughts of literati at that time;The second is to analyze the expression and application of antique elements as auxiliary images in the literati scene,and explore the symbolic meaning of antique elements on porcelain in the literati space;The third is the classical elements in beauty space as the main body of research,analyzing the idealized construction of female space by"absent"literati and the meaning behind the image.
作者
龚萱
GONG Xuan(Wunanwu Ceramic Studio,Jingdezhen,Jiangxi,333000)
基金
国家社科基金艺术学重点项目(22AG012)。
关键词
清代瓷器
博古图像
士子文人
叙事
隐喻
Qing Dynasty Porcelain
Antique Images
Scholars and Literati
Narrate
Metaphor