图像时代下影像性绘画的实践与探究

Practice and Research of Photographic Painting in the Image Era

艺术史上的影像与绘画总是密不可分,始终在对立与融合中不断发展,而影像性绘画的诞生为架上绘画拓宽了道路。本文以里希特、图伊曼斯和格尼三位代表性艺术家为案例,梳理影像性绘画的发展脉络,试图厘清影像性绘画的主要特点和历史渊源,同时结合个人作品中的影像性绘画语言,阐释互联网时代社交媒体带来的“图像式社交关系”,从而深入思考影像作为方法论如何介入当前的绘画实践。

Photography and painting are always inseparable in art history,and have been developing in opposition and integration.The emergence of photographic painting has broadened the path for easel painting.Taking three representative artists,Gerhard Richter,Luc Tuymans and Adrian Ghenie,as an example,this article combs through the development of photographic painting and clarifies its main characteristics and historical origins.Meanwhile,based on the author's own photographic painting language,this article elaborates on the"image-based social relationship"brought by social media in the Internet era,so as to think about how photography as a methodology can become part of today's painting practice.