摘要
梳理史料、列無文图,结合社会审美思潮背景,逐字拆解“岩峦堆劈石,参差半壁大痴”,在审美风潮、造园材料、成景手法上阐明了此句对黄石壁山的指向、分析了其特点。指出客观上黄石壁山手法的成熟及流行、主观上人心底仍存对“斧劈”等的审美偏好,使以计成为典型的造园家托言黄公望回避了与“崇南贬北”风气的冲突。
Combing textual and visual historical materials in combination with social aesthetic background,the paper analyzes a sentence in Yuanye(The Art of Garden Making)to explicate the guidelines for"The Yellow Stone Wall Rockery"by analyzing the aesthetic trend,gardening materials,and design skills to highlight its characteristics.It pinpoints the maturity and popularity of the yellow stone wall rockery objectively,and people's penchant for yellow stones subjectively caused garden designers of the time as typified in Ji Cheng to make use of the name of Huang Gongwang to avoid conflicts as the result of appraising South while depreciating North at the time.
作者
郭逸文
贾珺
GUO Yiwen;JIA Jun
出处
《建筑学报》
CSSCI
北大核心
2024年第8期103-108,共6页
Architectural Journal
关键词
晚明
江南园林
计成
《园冶》
黄公望
黄石假山
山水画
late Ming dynasty
Jiangnan garden
Ji Cheng
Yuanye(The Art of Garden Making)
Huang Gongwang
the yellow stone wall rockery
traditional Chinese Shanshui Painting