论淮剧的悲情构型

On the Sadness Artistic Configuration of Huai Opera

淮剧是国家级非物质文化遗产,也是江苏省最具代表性的地方剧种。悲情是淮剧独特的美学特征,几经演化,在人物形象、戏剧环境、悲喜交融的戏剧构造等方面逐渐形成淮剧风格特征中非常明显的艺术构型。近年来,淮剧研究主要集中在淮剧历史、唱腔流派、传承发展等方面,对其悲情美学及艺术构型方面鲜有关注。通过对淮剧形成、人物形象塑造、情节结构设计、舞台艺术呈现等的考察,探究淮剧在人物形象、戏剧环境以及悲喜交融情节结构方面具有的悲情特征及其鲜明的构型特点,进一步凸显淮剧独具的美学风貌,可为今后更加深入地探索淮剧传承发展及舞台艺术的繁荣提供借鉴。

Huai Opera is a national intangible cultural heritage and one of the most representative local opera genres in Jiangsu Province.Sadness is a prominent aesthetic feature of Huai Opera,which has undergone evolution and gradually formed a unique artistic configuration in terms of characters,dramatic environment,and the blending of tragedy and comedy.In recent years,research on Huai Opera has mainly focused on its history,types of singing styles and genres,inheritance and development,with little attention paid to its tragic aesthetics and artistic form.By examining its formation,character shaping,plot structure,and stage performance,this study explores the tragic characteristics and distinct configuration features of Huai Opera in terms of character image,dramatic environment,and the blending of tragedy and comedy.It further highlights the unique aesthetic style of it and provides reference for the inheritance and development of Huai Opera and the boom of stage performance in the future.