吉林满族作家格致的民族文学实践

The National Literature Practice of Manchu Writer Gezhi in Jilin Province

吉林满族作家格致的民族文学实践经历了一个从本民族书写到中华多民族书写的过程。民族认同感、凸显创作个性、增加创作辨识度和延拓作品评价维度的意愿决定了格致自觉开展本民族书写,民族亲缘意识和替少数民族文学发声立言的作家责任感又决定了格致自觉追求中华多民族书写。格致的本民族书写实践经历了一个从符号化浅层书写到寻根式深度书写的过程。经此过程,格致完成了本民族书写的内部动作。在此基础上,格致又利用表达民族身份认同困境和开展母语寻根的契机,关联性书写了汉族、朝鲜族、回族、蒙古族和锡伯族,还非关联性书写了藏族和朝鲜族(没有关联满族的潜在指向),从而完成了从本民族书写到中华多民族书写的实践过程。

The practice of Jilin Manchu writer Gezhi’s national literature has experienced a process from their own national writing to Chinese multi-national writing.The sense of national identity,the will to highlight the creative personality,increase the creative recognition and expand the evaluation dimension of the work,determines that Gezhi consciously develops its own national writing.The sense of national kinship and the writer’s sense of responsibility to speak out on behalf of minority literature determined Gezhi’s con⁃scious pursuit of Chinese multi-ethnic writing.Gezhi’s national writing practice has experienced a process from symbolized shallow writing to root-seeking deep writing.Through this process,Gezhi completed the in⁃ternal action of the national writing.On this basis,Gezhi took advantage of the opportunity of expressing the dilemma of national identity and exploring the roots of his mother tongue to write about Han,Korean,Hui,Mongolian and Xibe in a relevant way and Tibetan and Korean in a non-relevant way(without the potential direction of Manchu),thus completing the practice process from native writing to Chinese multi-ethnic writ⁃ing.