摘要
赋源于诗、拓宇于楚辞的起源论与其仪式性、政治性的文体归属,使得长期以来其文体的自足性不明。自汉代以来,辞赋连称、赋颂一体成为辞赋发展史和文学批评史上的重要现象,随着赋体的诗化、文化,继而出现以赋入诗,以赋入词,以赋入策论、时文,甚至以赋入小说、戏曲等文体互渗现象。究其原因,赋与诸文体的交融互渗是基于文体的仪式性、政治功用、文章学属性而产生的,同时,赋体的演进也深受中国古代杂文学观念、赋起源的多元性以及古代体用观的深刻影响。
Fu originates from poetry,and broadened from the origin of Chu Ci and its ritual and politi⁃cal stylistic attribution,which has made its stylistic self-sufficiency unclear for a long time.Since the Han Dynasty,it has become an important phenomenon in the history of the development and criticism of Ci and Fu that Ci and Fu are consecutively named and eulogized.With the poetic and cultural style of Fu,there has been a phenomenon of mutual infiltration of Fu into poetry,Ci,discourse on politics,essays and even novels and operas.The reason is that the blending of Fu and various styles is based on the ritual,political function and stylistic attribute of the style.At the same time,it is also deeply influenced by the concept of miscellaneous literature in ancient China,the diversity of the origin of Fu and the concept of ancient style and function.
作者
孙福轩
SUN Fuxuan(Department of Chinese Language and Literature,Hangzhou City University,Hangzhou,Zhejiang 310015,China)
出处
《吉林师范大学学报(人文社会科学版)》
2024年第5期62-70,共9页
Journal Of Jilin Normal University:Humanities & Social Science Edition
基金
国家社会科学基金重大项目(19ZDA249)
国家社会科学基金项目(18BZW113)。
关键词
赋
颂
文体
渗融
属性
体用观
Fu
Ode
style
infiltration and melting
attributes
view of body and function