摘要
“图像环路”是意大利历史学家卡洛·金兹堡在图像证史中提出的历史学术语,这一源自历史学的术语被西方历史学家、艺术史学家引入中国艺术史的研究领域,经艺术史家柯律格等人的研究实践,实现了从作为现象呈现的“图像环路”到作为观看之道的“图像环路”的转变。这一艺术史观察视野使20世纪英语世界中国艺术史书写超越了材料主义分类宰制的局面,有利于在全球文明互鉴和文化交流的视野中为中国艺术史书写开创新的可能性。
"Iconic Circuits" is a historical term coined by the Italian historian Carlo Ginzburg in the history of image evidence.This term derived from history was introduced into the research field of Chinese art history by western historians and art historians.Through the research and practice of art historian Craig Clunas et al.,the transformation from the "Iconic Circuits" as a phenomenon to the "Iconic Circuits" as a way of viewing has been realized.This observation vision of art history made the writing of Chinese art history in the English-speaking world in the 20th century transcend the situation of classification domination by materialism,which will be conducive to the creation of new possibilities for the writing of the history of Chinese art in the view of the mutual learning of global civilizations and cultural exchanges.
作者
佘国秀
SHE Guoxiu(College of Chinese&ASEAN Arts,Chengdu University,Chengdu 610106,China)
关键词
文明互鉴
图像环路
图像证史
媒介
中国艺术史书写
mutual learning among civilizations
iconic circuits
the uses of images as historical evidence
the medium
Chinese art history writing