论“新工人诗歌”主体意识的空间想象——以《新工人文学》杂志中的诗歌为例

On the Spatial Imagination of the Subject Consciousness of“New Workers’Poetry”—A Case Study of Poems from the Magazine“New Workers’Literature”

“新工人诗歌”在不同的时期呈现出不同的形态,其主体意识也趋向复杂化。《新工人文学》杂志展示了21世纪以来“新工人诗歌”主体意识的复杂性。在语言表达上,这种主体意识通过“我们”来体现;在内容上,以城市、乡村和诗人的精神故乡为承载空间。《新工人文学》中的诗歌通过减少修辞、直白语言等策略,展现了新工人与城市之间的距离感,表现出“新工人诗歌”主体意识的迷失。诗歌通过想象和美化故乡的方式,使主体意识产生分裂。在诗歌所描绘的精神故乡中,新工人诗人试图锻造自己的语言,以表达自我认同的回归。这种复杂形态的出现,是“新工人诗歌”主体意识在新的历史条件下的表现形式,也是“新工人诗歌”的另一拓展路径。

“New workers’poetry”presents different forms in different periods;its subject consciousness tends to be complicated.The magazine“New Workers’Literature”showcases the complexity of the subject consciousness of“new workers’poetry”in the 21st century.In terms of language expression,this subject consciousness is manifested through the use of“We”;in content,it’s carried by cities,villages,and the poets’spiritual homeland.The poems in“New Workers’Literature”reveal the distance between new workers and the city by employing strategies such as reduced rhetoric and straightforward language,reflecting the loss of subject consciousness in“new workers’poetry.”Through imagining and beautifying their homeland,new worker poets create a split in subject consciousness.In the spiritual homelands depicted in their poems,new worker poets attempt to forge their own language to express their return to self-identification.The emergence of this complex form represents the manifestation of the subject consciousness of“new workers’poetry”under new historical conditions,and is also another pathway for the expansion of“new workers’poetry”.