摘要
傅利民教授的《中国民族器乐配器教程》是第一部真正在中国传统乐种学的基础上,以各乐种较稳固的民间乐队为研究对象,将研究的目标集中在乐器本身的文化性能与编配艺术上的教材,是乐种音乐本体研究的一个重要拓展。民间属性是这本教材的底色,在结构与编写中既有经典方法的借鉴,又有另辟蹊径的创新,其中翔实具体的典型案例分析为教学和创作提供了丰厚的参考资源。这对中国传统乐种学的继承与发展无疑有着推动实践的作用。
Professor Fu Limin’s Chinese National Instrumental Music Orchestration Course is the first truly on the basis of Chinese traditional types of folk music,taking the folk band with more stable music types as the research object,focusing the research goal on the cultural performance of the instrument itself and the art of arrangement.It is an important extension of music ontology research.The folk nature is the base color of this textbook.In the structure and compilation,there are both classical methods and innovations.The detailed and specific typical case analysis provides rich reference resources for teaching and creation.This undoubtedly plays an important role in promoting the inheritance and development of Chinese traditional types of folk music.
作者
郭红喜
傅聪
GUO Hongxi;FU Cong
出处
《浙江艺术职业学院学报》
2024年第2期144-148,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
傅利民
民族器乐配器
乐种
学术价值
教育价值
Fu Limin
ethnic instrumental music orchestration
types of folk music
academic value
educational value