日本藏王蒙《柳橋漁唱圖卷》題咏研究——楊維楨存世最早書迹的發現與鑒别

A Study on the Poetic Inscriptions on Wang Meng's Liuqiao Yuchang Picture-Scroll in a Japanese Collection:The Discovery and Identification of Yang Weizhen's Earliest Surviving Calligraphic Work

日本京都國立博物館藏王蒙《柳橋漁唱圖卷》後有宇文公諒、楊維楨、韓性、王冕等八位元人題咏。王蒙畫僞,致使此卷長期被束之高閣,但卷後諸元人題咏均可驗證爲真迹。尤其是楊維楨、王冕《柳橋漁唱題咏》,無論内容、書風和鈐印皆無可懷疑,且都是他們存世最早書迹,意義重大。這卷墨迹的發現延長了楊、王二人的書風鏈條,顯示其早期書法面貌,證明了楊維楨書法也曾深受趙孟頫的影響。

At the end of Wang Meng's Liuqiao Yuchang Picture-Scroll,in the collection of the Kyoto National Museum,the poems of eight masters of the Yuan dynasty,including Yuwen Gongliang,Yang Weizhen,Han Xing and Wang Mian,are inscribed.The scroll is a forgery and so was kept in storage for a long time.However,the inscriptions have been verified as authentic and the poems by Yang Weizhen and Wang Mian are of great significance.The inscriptions'content,style of writing and seals are unquestionable,proving that these poems are Yang Weizhen and Wang Main's earliest surviving calligraphic works.The discovery of this scroll extends the link between the calligraphic styles of Yang and Wang,revealing the features of their early calligraphy and also proving that the former's calligraphy was deeply influenced by Zhao Mengfu.