摘要
具身人工智能可以主动收集信息、调整行为来适应复杂多变的环境,并在没有人类直接干预的情况下自主地进行学习,通过“思想”与“身体”的协同,在“体验”中提升“创造”的能力。基于人工智能工具主义观,具身人工智能尽管具备了技术上的显著优势,仍然难以在著作权法律体系中获得主体资格,但如果忽视具身人工智能所引发的创作形态变革,否定其内容生成行为的创作属性,将导致著作权中创作标准的失序。对此,应当对权利主体与创造主体予以区分,以作品中心主义理论以及具身认知为正当性锚点,完善具身人工智能与人类的二元作者结构,建构委托关系下的具身人工智能开发者权利归属模式。
Embodied artificial intelligence can actively gather information and adjust behavior to adapt to complex and dynamic environments,autonomously learning without direct human intervention.Through the synergy of"mind"and"body",it enhances its creative abilities through"experience".From the perspective of AI instrumentalism,although embodied artificial intelligence has significant technical advantages,it struggles to achieve subject status within the copyright legal system.However,ignoring the transformative impact of embodied artificial intelligence on creative forms and denying the creative nature of its content generation activities will lead to the disarray of creation standards in copyright law.This study argues for a distinction between rights holders and creators,using work-centrism theory and embodied cognition as legitimacy anchors.It advocates for the improvement of the dual author structure of embod⁃ied intelligence and humans,and the establishment of a rights attribution model for developers of embodied intelli⁃gence under a commission relationship.
作者
李想
Li Xiang(College of Publishing,University of Shanghai for Science and Technology,Shanghai 200093,China)
出处
《科技与法律(中英文)》
2024年第5期90-99,共10页
Science Technology and Law(Chinese-English Version)
基金
教育部人文社会科学研究规划青年基金项目“智能创作时代数据挖掘的版权豁免理论调试与制度构建”(23YJCZH109)。
关键词
具身人工智能
作品中心主义
涌现
二元作者
委托关系
embodied artificial intelligence
work-centrism
emergence
dual authorship
commission relationship