江西全南过山瑶刺绣纹样探析

An Analysis of the Embroidery Patterns of Jiangxi Quannan Guoshan Yao

瑶族刺绣作为瑶族传统文化中一项历史悠久的手工艺术,不仅承载着瑶民的生活智慧与技艺,更是瑶族民族文化观念与审美价值的具体体现。基于研究江西全南过山瑶刺绣纹样类别、文化内涵与传承情况的目的,文章通过文献分析法和走访调研,获得全南瑶族村获得瑶族刺绣纹样资料。研究得出,全南过山瑶刺绣纹样主要分为八角纹、犬纹、莲花纹、人形纹与“卍”字纹,每种纹样都有不同的寓意和象征,多与原始崇拜和历史背景有关。在传承过程中,过山瑶刺绣存在缺乏传承者、同质化严重等问题,亟需综合运用政策扶持和文旅融合等措施,以推动全南过山瑶刺绣产业的长远发展。

As a hand-made art with a long history in the traditional culture of the Yao people,Yao embroidery not only carries the life wisdom and skills of the Yao people,but also embodies the cultural concept and aesthetic value of the Yao people.Based on the purpose of studying the categories,cultural connotation and inheritance of the Yao embroidery patterns in the south of jiangxi Province,this paper obtains the information of Yao embroidery patterns from the Yao villages in the south of Jiangxi Province through literature analysis and investigation.According to the research,the embroidery patterns of Shanyao in south China are mainly divided into octagonal pattern,dog pattern,lotus pattern,human pattern and swastika pattern.Each pattern has different meanings and symbols,which are mostly related to primitive worship and historical background.In the process of inheritance,there are problems such as lack of inheritors and serious homogenization,so it is urgent to use policy support and cultural and tourism integration measures to promote the long-term development of the embroidery industry in South Quanshan.