摘要
在VR绘画的创作语境之中,虚实空间与身体的“侵越”对VR绘画的创作、感知、体验方式以及视觉叙事的建构模式都进行了重建。这个过程既扩充了绘画创作的内涵与外延,又增强了主体与观者在虚拟空间中身体“审美”的体验与想象力的最大化呈现。论文结合国内外近十年来VR绘画艺术的实践案例,验证得出结论,旨归呈现VR绘画的视觉表征及内涵外延,这对于沉浸式绘画与沉浸式交互性的艺术感知与体验具有尤为不可或缺的价值。
In the creative context of VR painting,the"invasion"of virtual and real space and body reconstructs the creative perception experience and the construction of visual narrative of VR painting This not only expands the connotation and extension of painting creation,but also enhances the maximum presentation of the body aesthetic"experience and imagination of the subject and the viewer in the virtual space.Combined with the practice cases of VR painting in the past ten years at home and abroad,this paper draws a conclusion that it aims to present the visual representation and connotation extension of VR painting,which is particularly indispensable for the artistic perception and experience of immersive painting and immersive interaction.
作者
杨颖
YANG Ying(Beijing Film Academy,100091 Bejing;Liaoning Normal University,116029 Dalian Liaoning)
出处
《设计艺术研究》
2024年第4期73-77,共5页
Design Research
关键词
VR绘画
沉浸式交互
虚实身份
空间
视觉叙事
VR painting
immersive interaction
virtual and real identity
space
visual narration