黄春明都市小说中的性别政治——以《莎哟娜啦·再见》《小寡妇》《我爱玛莉》为中心

Gender Politics in Huang Chunming's Metropolis novels——Centered on Sayonara·Goodbye,Little Widow,and I Love Mary

《莎哟娜啦·再见》《小寡妇》和《我爱玛莉》是黄春明70年代都市题材的代表作,这三部作品在女性人物上的着墨多于其他小说。本文在民族层面的“美日后殖民/台湾被殖民”阐释思路之外,挖掘其中远为丰富的性别政治内涵:殖民地男性与殖民者因“男性同性社会性欲望”结成的同谋关系;殖民地男性在全球资本主义背景下的“自我东方主义”与甘愿“被去势”;被殖民女性遭遇民族主义、女性主义内部的压抑等等。三部作品的性别叙事聚焦中国台湾地区,具有宏阔的乡土关怀意识,它们揭示了殖民地内部容易被掩盖的多种问题,昭示第三世界在战后去“帝国化”的必要。

Sayonara·Goodbye,Little Widow,and I Love Mary are representative works of Huang Chunming'smetropolis themes in the 1970s.These three works focus more on female characters than other novels.This article delves beyond the interpretive approach of "America and Japan's post colonial/colonized Taiwan" at the national level,and explores the far richer gender political connotations:the collusive relationship between colonial males and colonizers due to "male homosocial desire";Colonial men's "self-orientalism" and their willingness to be "castrated" in the context of global capitalism;Colonized women face oppression within nationalism and feminism,and so on.The gender narrative of the three works focuses on Taiwan region,with a broad sense of local care.They reveal various issues that are easily concealed within the colonies,and demonstrate the necessity of de imperialism in the Third World after the war.