于敏与电影:言诤显风骨,身躬写春秋

Yu Min and His Film Writing, Theory and Criticism:Truth-Teller and Dedicate Practitioner

于敏是一位阅历丰富的电影人,他亲历了延安文艺座谈会并积极践行“讲话”精神,成为新中国人民电影美学的建构者、“十七年”工业题材电影的拓荒者、新时期电影理论繁荣的推动者。于敏在电影剧作、理论、批评三个领域的实践值得认真梳理和再观察,尤其是他在马克思主义文艺理论的基础上建立起工业题材创作的方法论,通过作品形成了持续统一的创作动机、主题追求、美学旨趣和风格样式,对中国电影题材创作具有重大指导意义。

Yu Min has extensive expertise in the film industry. He actively engaged in the spirit of “Speech” while attending the Yan'an Conference on Literature and Art. He established the aesthetics of new Chinese people's films, pioneered the “seventeen years” industrial films, and promoted the prosperity of film theory in the new era. His work in film drama, film theory, and criticism has produced exceptional achievements worthy of close study and observation. He developed a process for creating industrial themes based on Marxist literary and artistic theory. Through his works, he established a consistent and unified creative motive, topic pursuit, aesthetic interest, and style, which is extremely important for the development of Chinese film themes.