摘要
中国美术展览的形态已经进入了综合场域的时代。随着作品本身、场馆空间和展陈中各类新技术手段的应用,以展览为核心展开的场域建构及传播方式的变化则显得越来越重要。笔者在多年的策展实践中,致力于从观众体验出发建构唤起情绪共鸣的整体氛围,并借鉴传播学等跨学科的经验,整合戏剧、音乐、舞蹈、建筑等领域的多种艺术形式,试图摸索出一套综合、实用的展览工作方法。
The form of Chinese art exhibition has entered the era of comprehensive field.With the adoption of innovative technologies in artworks,venue spaces and curatorial practices,the construction of the field centered on the exhibition and the change of the communication method become more and more important.In my years of curatorial practice,I have devoted myself to constructing an overall atmosphere that evokes emotional resonance from the viewer's experience,drawing on interdisciplinary experiences such as communication,and integrating various art forms in the fields of theater,music,dance,architecture,etc.,in an attempt to figure out a set of comprehensive and practical exhibition working methods.
出处
《美术观察》
北大核心
2024年第9期13-17,共5页
Art Observation
关键词
策展
场域建构
共情
二次传播
curation
field construction
empathy
secondary communication