现象到显像:影像生产要素中的主客成分

From Phenomenon to Apperance:Subjective and Objective Components in Image

通过照相机/摄影机与光线共同作用下生成的影像正在为艺术与传播等领域提供着非常重要的价值。无论是威廉·弗卢塞尔对“技术性”图像的批判性思考,还是得勒兹关于影像、知觉、运动的分析,都充分重视影像中具体可见现象与其背后抽象意识形态的关系。影像的奇妙之处在于它由“主观”与“客观”紧密结合成的复杂的构造。影像通过取景器、镜头、快门、感光材料/感光元件等技术被构建,被储存。封闭在其中的时间、空间、现象、物相通过光线与载体被人为再现。而此刻的“再现”并非是对过去的“还原”,而是一种主观的言说。

Images created by cameras/camcorders and light are providing very important value to fields such as art and communication.Whether it is Wiliam Flusser's critical thinking on"technical"images or Gilles Deleuze's analysis of images,perception and movement,they all attach great importance to the relationship between the specific visible phenomena in the image and the abstract ideology behind it.The wonder of the image lies in its close and complex construction of"subjective"and"objective".The image is constructed and stored through technologies such as viewfinders,lenses,shutters,photosensitive materials/elements.The time,space,phenomena and physical phases enclosed in it are artificially reproduced through light and carriers.The"reproduction"at this moment is not a"reduction"of the past,but a subjective statement.