“向史而新”的建筑创作实践——从人民大会堂到中国共产党历史展览馆

Practice of Architectural Creation Based on"The New From The Old":From the Great Hall of the People to the Museum of the Communist Party of China

无论从学术研究到设计实践都需要学科融合,用什么形制去结合社会、技术与自然,成为每一位建筑创作者落实“适用、经济、绿色、美观”建筑方针的重要方面。“向史而新”强调建筑师要有建筑历史观及建筑文化视野,它们是可持久的建筑智慧,设计要运用技术,重在要创造有历史和人文内在秩序的空间,不仅让使用者有归属感,还要有探索性,尤其对于纪念性建筑特别重要。文章从历史史实出发,重新审视已经建成65周年的人民大会堂,并研究了2021年建成的中国共产党历史展览馆,从传承创新观出发还比较了他们的创作者,在不同历史时期“向史而新”的实践与特征,相信本文对理解当代建筑前沿中数字与遗产、遗产与创新有深度价值。

From academic research to design and practice,each step involves the integration of disciplines.The prototype of combining society,technology and nature has become a key for every architectural creator in implementing the architectural policy of"practical,economical,green and beautiful"."The new from the old"emphasizes that architects should have a historical view of architecture and architectural culture perspective,which are lasting architectural wisdom.Design technology should be applied and focus shall be put on creating a space with an inherent order that exists in history and culture,which not only gives users a sense of belonging but also requires an exploratory spirit,and is especially critical for commemorative architecture.Starting from historical facts,this paper re-examines the Great Hall of the People,which has been completed for 65 years,and studies the Museum of the Communist Party of China built in 2021.From the perspective of inheritance and innovation,this paper also compares their creators'practices and characteristics of"the new from the old"in dfferent historical periods.This paper has profound value for understanding the relationship between digital development and heritage and between heritage and innovation at the forefront of contemporary architecture.