摘要
目的 以阿拉善“驼韂”为研究对象,探索其传统工艺蕴含的地域文化风格与民族手工智慧。方法 将阿拉善“驼韂”放置在生态境遇下,结合田野调查、实地走访等方式研究,从选材制作、构造形态、驾乘运行三个方面进行深入探讨,系统考察其在质构特性与工艺制作、架构衔接与部件组合、驾乘姿势与驮载乘运上显现的设计理念与器物特征。结果 通过历史溯源和工艺制作的探索得知,阿拉善“驼韂”是阿拉善当地天然物料与阿拉善工匠精巧技艺的巧妙融合,进而解读出其以自身构造兼顾适应生态规律与便利生产生活的双重效益。结论 阿拉善“驼韂”作为中国北方游牧地区传统役使坐具的典范代表,旨在传承及弘扬“驼韂”卓越构造理念的同时,凭其创新设计的思路与方法促进传统坐具与现代坐具技术及艺术的谐和统一。
The work aims to explore the regional cultural style and ethnic handicraft wisdom contained in the tradi-tional craftsmanship of Alxa camel saddle cloth"tuochan",The research was conducted by placing the Alxa camel saddle cloth"tuochan"in an ecological environment and combining it with field investigations and site visits.It thoroughly dis-cussed the selection of materials,structural forms,and riding operation from three aspects,and systematically examined the design concepts and object characteristics of its quality and texture,craft production,structure connection and com-ponent assembly,as well as riding posture and load transportation.Through the exploration of historical origin and craft production,it was known that Alxa camel saddle cloth"tuochan"was an ingenious integration of local natural materials and the exquisite skills of Alxa craftsmen,interpreting the dual benefits of adapting to ecological laws and facilitating production and life with its own structure.In conclusion,as an exemplary representative of traditional nomadic seating furniture in northern China,Alxa camel saddle cloth"tuochan"aims to inherit and promote its outstanding construction concept,while promoting the harmony and unity between traditional seat,modern seat technology and art with its innova-tive design ideas and methods.
作者
王赫德
聂雯琦
WANG Hede;NIE Wenqi(Inner Mongolia Normal University,Hohhot 010022,China)
出处
《包装工程》
CAS
北大核心
2024年第18期216-222,239,共8页
Packaging Engineering
基金
国家社科基金艺术学青年项目(21CG190)。
关键词
质构特性
工艺制作
架构衔接
驮载乘运
发展路径
自然风尚
科学架构
quality and texture
craft production
structure connection
load transportation
development path
natural fashion
scientific structure.