清华简中的几个双声符字

Several Double-Phonophore Characters in the Tsinghua Manuscripts

文章考释清华简中的几个双声符字。一是《成人》17号简“”字,“■”“主”皆声,简文“窃义■”应读为“窃义抇庸”;上文之“道■”当读为“道拖阊曳”。二是《乃命二》10号简“”字,“去”“于”皆声,简文“盍不善”应读为“弆盖不善”。三是《五纪》89、91号简“”字,“十”“惪”皆声,简文用作“十”;《汤在啻门》“惪以光之”当读为“十以广之”。四是《成人》26号简“”字,“”旁是一个双声符字,所从“矛”“夢”皆声,“矛”或是“柔”之省,“夢”或是“夒”之讹,简文“秀一时”应读为“抽柔一时”。

This article analyses several double-phonophore characters in the Tsinghua manuscripts.The first example is the graph yong ■on slip No.17 of the Chengren成人 manuscript.Yong■ and zhu 主 are both phonophores and the line窃义■in text should be interpreted as qie yi jue yong 窃义抇庸,and the line 道■ in the above manuscript should be interpreted as dao tuo chang ye 道拖阊曳.The second example is the graph qu■ on slip No.10 of the Nai ming Ⅱ 乃命二manuscript.Qu去and yu 于are both phonophores and the line■盍不善 should be interpreted as qu gai bu shan 弆盖不善.The third example is the graph shi■ on slips No.89 and No.91 of the Wuji五纪 manuscript.Shi十and de 惪 are both phonophores and it is used to write shi十in the text,and the line de yi guang zhi 惪以光之 in the Tang zai chi men汤在啻门 manuscript should be interpreted as shi yi guang zhi 十以广之.The fourth example is the graph■ on slip No.26 of the Chengren manuscript.The component ■is a double-phonophore character and its components mao矛 and meng萝 are both phonophores.Mao矛 may be an abbreviation of rou柔,and meng萝 may be a corruption of nao■.The line 秀■一时should be interpreted as chou rou yi shi抽柔一时.