改革创新的生产偶像、社会图景与时代精神展现——以《风吹半夏》为考察对象

The Presentation of Production Idol,Social Picture and Spirit of the Times of Reform and Innovation:Take The Wind Blows Pinellia as an Example

根据著名作家阿耐的《不得往生》改编而成的电视剧《风吹半夏》,讲述了主人公许半夏等民营企业家群像在20世纪90年代至21世纪初围绕钢铁贸易展开的一系列经济社会活动。运用文学社会学等有关理论对该剧进行考察,可以发掘出与时下的女子图鉴剧相异的人物形象、故事情节与主题思想,具体可以概括为改革创新的生产偶像、社会图景与时代精神.《风吹半夏》中显现出来的改革创新的时代精神以及人民对美好生活的向往,在中国式现代化建设进程中有助于激发人民大众奋斗创业的热情,为全面建设社会主义现代化国家积聚强大的精神动力。

The TV drama The Wind Blows Pinellia,adapted from the famous writer A Nai's No Way to Die,tells the story of a series of economic and social activities carried out by the protagonist Xu Banxia and other private entrepreneurs around the steel trade from the 1990s to the beginning of this century.Based on the relevant theories of literary sociology,we can find out the characters,plots and theme ideas that are different from the current female growth dramas,which can be specifically summarized as the reformed and innovative production idol,social picture and spirit of the times.The spirit of the times of reform and innovation and the people's yearning for a better life shown in The Wind Blows Pinellia can help stimulate the enthusiasm of the people for struggle and entrepreneurship in the process of Chinese path to modernization,and accumulate strong spiritual impetus for the comprehensive construction of a socialist modern country.