摘要
镇雄县泼机镇的邹氏端公,是云南较早发现、传承久远的端公坛班。该坛班源于江西,于明朝天启年间传入镇雄,距今历400余年,传承19代。昭通端公戏是一种祭祀戏剧,具有祭中有戏、戏中有祭、祭戏一体的特点。在邹氏端公的祭祀活动中,出现了鲜活的当地少数民族形象,他们不仅在祭祀中具有重要的地位,也是端公戏中具有代表性的角色,这说明邹氏端公在镇雄的存在和发展,不可避免地打上了地方化、民族化的烙印。昭通端公戏的存在,既与汉族移民有直接关系,又与区域性的文化生态小环境有着密切关联。
The Duangong cult of ZoU family in Poji Town,Zhenxiong County is the earliest Duangong cult discovered in Yunnan province and has been passed down for a long time.This cult originated in Jiangxi province and was introduced to Zhenxiong County during Tianqi period(1621-1627)of the Ming Dynasty more than 400 years ago and has been passed down for 19 generations.Duangong Opera in Zhaotong County is a kind of sacrificial opera,characterized with the intertwining of sacrifice and opera.In the sacrificial activities of Duangong cult of zoU family,vivid images of local minorities appeared.They not only played an important role in the sacrifices,but also acted as representatives in the Duangong opera,which indicates the existence and development of Duangong cult of ZOU family are inevitably marked by localization and nationalization in Zhenxiong County.Therefore,the existence of Duangong Opera in Zhenxiong County is not only directly related to immigrants of Han nationality,but also closely related to the regional cultural and ecological environment.
作者
王勇
WANG Yong(Zhaotong Municipal Bureau of Culture and Tourism,Zhaotong,Yunnan 657000,China)
出处
《贵州大学学报(艺术版)》
2024年第5期62-72,共11页
Journal of Guizhou University Art Edition
关键词
镇雄邹氏端公
端公戏
移民
传承
祖源地
Duangong cult of ZOU family in Zhenxiong County:Duangong Opera
immigration
inheritance
ancestral origin