基于历史录音的南音女性“全跳”唱法研究

A Study on the“Quan Tiao”Singing Method of Nanyin Based on Historical Recordings

学界对南音“全跳”唱法已有研究,但历史录音中的南音女性“全跳”唱法研究还不充分。文章基于1950-1993年代表性南音女性唱家的历史录音,通过对“全跳”唱法类型和“润腔”的研究发现:南音“全跳”唱法有3种基本类型,它们之间的差异在于对“全跳”指法第一个“点”的处理;泉州派和厦门派的“全跳”唱法存在差异;南音“全跳”唱法具有器乐思维特征,润腔具有程式性特点;泉州男性名家陈世练和丁信昆与1950-1993年代表性南音女性唱家的“全跳”唱法存在共性和差异。

The“Quantiao”singing style of Nanyin has been studied by academia nowadays,but the study on female“Quantiao”singing style of Nanyin has not been full studied in historical recordings.This paper points out that there are three basic types of Nanyin“Quantiao”singing style by studying the types of“Quantiao”singing and“Runqiang”which based on the historical recordings of some representative female Nanyin from 1950 to 1993.And the main difference among them is the different treatments of first“Dian”in“Quantiao”fingering.There are differences between Quanzhou faction and Xiamen faction in the singing style of“Qiantiao”;“Quantiao”singing style of Nanyin has the characteristics of instrumental thinking mode and“Runqiang”has stylized art routine.There are similarities and differences of“Quantiao”singing style between the male celebrity artists Chen Shilian and Ding Xinkun in Quanzhou and the representative female artists of Nanyin from 1950 to 1993.