“尚鼓”族群的身体语言表达与文化流变研究_以贵州过山瑶舞蹈“舂杵舞”为例

The Body Language Expression and Cultural Changes of the"Shanggu"Ethnic Group--Taking the Guizhou Guoshan Yao Dance"Chong Chu Dance"as an Example

南岭民族走廊地区是中国最大的瑶族聚集地区,本文以贵州省黔东南苗族侗族自治州南部榕江县塔石瑶族水族乡怎东村流传的过山瑶传统舞蹈“舂杵舞”为研究对象及田野个案,经过前期的田野调查,运用了案例分析法、比较分析法等进行深入剖析。从微观视角,对黔东南地区瑶族“舂杵舞”的舞蹈元素进行梳理分析;从宏观视角,以塔石瑶族水族乡怎东村的过山瑶“舂杵舞”和其他地区过山瑶传统舞蹈的联系为切入点,探析瑶族族群的传统舞蹈文化中凸显出的族群身体的语言表达和思维意识,以期从中折射并挖掘出过山瑶“舂杵舞”的文化内涵与价值。

The the Nanling Mountain National Corridor is the largest gathering area of Yao in China.This paper takes the traditional dance"Chong Chu Dance"of the Yao people passing through the mountain,which is popular in Houdong Village,Tashi Yao and Shui Nationality Township,Rongjiang County,the southern part of Qiandongnan Miao and Dong Autonomous Prefecture,Guizhou Province,as the research object and case.After the early field survey,the paper uses case analysis and comparative analysis to conduct in-depth analysis.From a micro perspective,From a macro perspective,this paper analyzes the dance elements of the Yao ethnic group's"pounding and pestle dance"in the southeastern Guizhou region.From the perspective of the connection between the"pounding and pestle dance"of the Guoshan Yao in Qiandong Village,Tashi Yao Water Ethnic Township,and the traditional dance of the Guoshan Yao in other regions,it explores the ethnic body language expression awareness highlighted in the traditional dance culture of the Yao ethnic group,and explores the cultural connotation and value of the"pounding and pestle dance"of the Guoshan Yao.