沃尔夫林艺术风格理论视角下的西藏现当代绘画

An Analysis of Tibetan Modern and Contemporary Paintings from the Perspective of Wolfflin's Artistic Style Theory

西藏现当代绘画是由当代的西藏艺术家创作的区别于西藏传统绘画的新绘画形式。经过几十年的发展,西藏的现当代绘画呈现出其特有的创作样貌,通过以艺术展览为主的传播渠道进入观众视野。与此同时,对西藏现当代绘画的研究也趋于学科化和专业化。在美术史论研究中,瑞士艺术史学家沃尔夫林以“五对范畴”为基础的艺术风格理论,是注重作品视觉形式的经典理论。将西藏现当代绘画置于沃尔夫林艺术风格理论的视域下,从具体作品的视觉表现形式出发探究其艺术风格,有助于从本体论视角探究西藏现当代绘画艺术的性质,有助于加深对西藏现当代绘画的理论认识,也有助于推动西藏现当代绘画理论研究的发展。

Tibetan contemporary painting is a new form of painting created by contemporary Tibetan artists that differs from traditional Tibetan painting.After decades of development,modern and contemporary paintings in Tibet have presented their unique creation appearance,and entered the audience's vision through the communication channel dominated by art exhibition.At the same time,the research on modern and contemporary paintings in Tibet also tends to be disciplinary and professional.In the study of art history,Wolfflin's artistic style theory based on the"five pairs of categories"is a classic theory that focuses on the visual form of works.Placing Tibetan modern and contemporary painting within the perspective of Wolfflin's artistic style theory and exploring its artistic style from the visual expression forms of specific works helps to explore the nature of Tibetan modern and contemporary painting art from an ontological perspective,deepen theoretical understanding of Tibetan modern and contemporary painting,and promote the development of theoretical research on Tibetan modern and contemporary painting.