论文学书写的“听觉”在场与“声音机能”

Listening Presence and the Work of Sound in Literary Writing

文学场域中的声音作为一种物性实在,其在文学作品创作和解读中的机能常处于批评视野的“余光”之中而隐蔽。文学作品中的声音主要由言语的声音、节奏的声音和言说的声音组成,其事件性、连通性和过程性的声音机能互相呼应、共同作用。声音通过自我构成的呈现,以及它在与主体的互动中的动态构形过程,展现自身在文学写作和批评中的重要机能。通过在场对概念的分割与超越,我们能够感受文本在语链下意义深层的流动,以寻求声音对真实在场的还原,回归文学的“诗”之本质。

Sound,as a critical space of the poetics of materiality,plays a critical role in literary creation and interpretation,yet it is often hidden in the peripheral light of criticism.Sound in literary works is mainly composed of the semantic sound,the cadenced sound,and the speech sound.These sounds interact in literary works through their eventiveness,connectivity,and process.This article emphasizes the construction of sound in literary writing and criticism in describing both the self-constitution of sound and the dynamic formation process of sound as it interacts with the subject.By using presence to segment and transcend conceptual language and thus revealing the deep flow of meaning underneath the chain of words,this article aims to restore the authentic presence of sound and to encourage a return to the poetic essence of literature.