周大风说越剧配音(上)

Dubbing of Yueju Opera(Ⅰ)

文章根据周大风就越剧的配音问题发表的意见,并结合周大风的其他著作,论述了越剧的唱做念打与配音的关系、唱腔与配音的关系、配音的性能与分类、配音设计、配音的主题和形式、如何建立一套不同感情的配音曲牌、建立一套长短及感情不同的过门配音、从代表性唱腔主题发展配音、从插曲主题中发展配音、配音中打击乐的使用等诸多问题。深入浅出,颇为实用。

From 19 to 24 April 1986,the editorial board of Chinese Opera Journal Zhejiang Volume and Chinese Opera Music Collection Zhejiang Volume jointly held the“Symposium on Zhejiang Opera Tune and Opera Genres”at the Guest House of Zhejiang Daily Newspaper.In addition to the headquarters experts Yu Cong,He Wei and local experts,Wu Junda,He Changlin,Chen Yingshi,Teng Yongran and other experts were invited to provide guidance.At the meeting,Mr Zhou Dafeng expressed his views on the dubbing of Yueju Opera,and I was responsible for recording the meeting minutes.Based on the meeting minutes and Zhou's writings,this study explores 11 critical issues such as The history and current situation of dubbing of Yueju Opera.