物我合一:中唐物铭文体之文化精神论析

Unity of Things and Myself:Cultural Spirit of Inscription on Objects in the Mid-Tang Dynasty

物铭是古代铭文文体中的一重要分支,器物铭创作之始,内容简单,内涵单一,此后经魏晋南北朝而逐渐发展,及至中唐,器物铭文的内容和含蕴渐而丰富具体,体现出“物性”和“人性”的统一,达到“物我合一”的境界。梳理中唐诸篇器物铭文,对其记载的历史内容和文人事迹进行探究,同时探析其所体现的中晚唐文人风尚。此外通过分析中晚唐瘗物铭文,亦可探赜当时文人怀古伤时之感情趋向与思想变迁,梳理当时的文化精神。

Inscriptions on objects are an important branch of ancient inscriptions.At the beginning of the creation of inscriptions on objects,the content was simple and the connotation was single.It gradually developed in the Wei,Jin,Northern and Southern Dynasties,and by the Mid-Tang Dynasty,the content and connotation of inscriptions on objects gradually became rich and specific,reflecting the unity of“material nature”and“human nature”,achieving the state of“ unity of things and myself ”.The author combs through various inscriptions on objects in the Mid-Tang Dynasty,explores the historical content recorded and the textual connotations reflected in the deeds of literati,and at the same time explores the literati culture reflected in them.In addition,by analyzing multiple inscriptions on buried objects in the Mid-Tang and Late-Tang Dynasty,we can also explore the emotional trends and ideological changes of literati who were nostalgic for the past,and sort out the cultural spirit of that time.