摘要
《聊斋志异》文本的来源及其价值历来为研究者关注,蒲松龄手稿本中的修改痕迹显示了该书成书过程中部分文本的动态变化路径,而作者创作时的心路历程和审美追求也可由此管窥一二。通过对手稿本修改痕迹的研究,可以发见蒲松龄详与略之间的创作心路、重视形象连贯性的写人策略和灵活避复的命笔捷思。这些发现可以与以往研究者对其他版本文本的批评互为补充,共同揭示出《聊斋志异》文本的审美价值。
The source of the text of Liaozhai Zhiyi and its value have always been the concern of researchers.The traces of modification in Pu Songling's manuscripts show the dynamic path of change of part of the text in the process of the book's formation,and the author's journey and aesthetic pursuit of creation can also be glimpsed through this.Through the study of the traces of revision in the manuscripts,we can discover Pu Songling's creative path between detail and omission,his writing strategy of emphasizing the coherence of the image,and his flexible and avoidance of repetition.These findings can complement the criticisms of previous researchers on the revised version of this text,and together they reveal the aesthetic value of the text of Liaozhai Zhiyi.
作者
张正
Zhang Zheng(School of Literature,Shandong University,Ji'nan 250100,China)
出处
《蒲松龄研究》
2024年第3期31-42,共12页
Study on Pu Songling
关键词
《聊斋志异》
蒲松龄
手稿本
写人
审美
Liaozhai Zhiyi
Pu Songling
manuscript text
writing about people
aesthetics
