作为行动的诗学:“模仿论”重释

Poetics as Action:Reinterpretation of the"Theory of Mimesis"

以柏拉图为前驱的西方哲学/诗学传统开创了一种基于认识者视域的知识论哲学/诗学范型。这种思想范型的语言论基础,即“模仿论”所体现的思维混乱与指称错位。艺术“模仿”并非镜像式的映射,而是创制性的行动。“模仿论”的误识,对存在的行动属性以及文学的创制属性构成了遮蔽。行动意味着“关系”的持续建构-重构,意味着“关系”的持续发生。由于“关系”笼罩了一切,行动就必然体现为一元性的过程和双重性的环节。行动是一元性与双重性的纠结,是语言和时间的交织。在文学行动中,世界呈现为一个差异错置的互文性体系,主体被形塑为一种“关系千万重”的多重主体,历史被创构为一种典范秩序/失序的层垒叠加史。所有这一切,都为一种新的哲学/诗学范型或文明论想象提供了线索与可能。

The Western philosophical/poetic tradition,with Plato as the precursor,has created an epistemological philosophy/poetic paradigm based on the perspective of the knower.The linguistic foundation of this paradigm,namely the"theory of mimesis",embodies conceptual confusion and referential displacement.Artistic"mimesis"is not a mirror-like reflection but a creative action.The misrecognition of the"theory of mimesis"obscures the action attribute of existence and the creative attribute of literature.Action means the continuous construction and reconstruction of"relationships,"and implies the continuous occurrence of"relationships."Since"relationships"encompass everything,action inevitably manifests as a monistic process and a dualistic link.Action is the entanglement of unity and duality,and the interweaving of language and time.In literary action,the world is presented as a system of intertextuality with displaced differences,the subject is shaped into a multi-subject with"thousands of millions of relationships,"and history is constructed as a layered accumulation of paradigmatic order/disorder.All of these provide clues and possibilities for a new philosophical/poetic paradigm or a civilizational imagination.