迁延与变奏:“十七年”国产电影孙悟空形象的现代性寓言

Extension and Variations:Modern Fable of Sun Wukong’s Image in the“Seventeen Years”Domestic Film

考察20世纪中国文艺的发展,“现代性”是一个不可回避的话题。“十七年”国产电影塑造的孙悟空形象正是这一阶段新中国现代性的一个特殊标记,它耦合了时代参与者关于“自我”“自由”“平等”“理性”等西方现代性价值的认知和想象,体现了对“五四”“个性解放”“个性自由”精神的观照与延展。然而,孙悟空怒而抗争后个体之于集体的回归、二元对立运思习性的建立以及“喜剧式”英雄的属性转向,又使得“十七年”国产电影中孙悟空形象的现代性呈现出“冷战”时代语境下独特的社会主义色彩。

In examining the development of Chinese literature and art in the 20th century,“modernity”is an unavoidable topic.The image of Sun Wukong portrayed in the“Seventeen Years”domestic films is a special symbol of the modernity of new China during this period.It couples the cognition and imagination of western modernity values such as“self”,“freedom”,“equality”and“rationality”among contemporary participants,and also reflects the observation and extension of the spirit of“May Fourth”,“individual liberation”,and“individual freedom”.However,after Sun Wukong’s anger and resistance,the individual’s return to the collective,the establishment of binary oppositional thinking habits,and the shift in the attributes of“comedic”heroes also made the modernity of Sun Wukong’s image in“Seventeen Years”domestic films present a unique sociological color in the context of the“Cold War”era.