论列斐伏尔空间美学思想的辩证生成——以《空间的生产》为中心

On the Dialectical Production of Lefebvre’s Spatial Aesthetic Thoughts:A Case Study of The Production of Space

审美的经验形态、观念方式和话语实践是列斐伏尔以《空间的生产》为中心的空间思想之内在脉络和重要底色。列斐伏尔对既有空间观念的批判包含了对社会空间中审美活动的反思,并在整体性视野中辩证考量了“空间”本身之生产的审美维度。具体而言,列斐伏尔通过活态、象征和身体性的“表征性空间”来归置审美活动,并通过对语言、符号、文本等“表象”机制的超越,在“表征性空间”与“空间表象/空间实践”的辩证关系中,阐述空间肌理、剧场空间、纪念碑性等与人的栖身体会和亲历经验密切相关的范畴,彰显出独特的“空间感性学”思想。阐明列斐伏尔这一尚未被深入挖掘的思想维度,对于检视当前流行的“空间生产”话语范式并重审其与地理批评、文学空间研究等之间的关系,具有重要的理论反思和批评实践意义。

Aesthetics composed of experiential,conceptual,and discourse practical forms the background of the intrinsic dimensions and characteristics of Lefebvre’s spatial thoughts in The Production of Space.In his criticisms on existing traditional spatial ideas,Lefebvre not only reflects on the aesthetic activities in space,but also elucidates the aesthetical production of space itself under a dialectical holistic perspective.Specifically,Lefebvre categorizes aesthetic activities through the lived,symbolic,and physical“spaces of representation”and then locate the latter in a dialectical relationship with“representations of space”and“spatial practice”to transcend the“representation”mechanism.Therefore,by elucidating spatial categories such as space texture,theatre space,and monumentality,which are closely related to human habitation and personal experience and produces,distinctive spatial aesthetics.The significance of elucidating the spatial aesthetics of Lefebvre which has not yet been deeply explored is not only about theoretical reflection but also practical criticism.It is by both means can we examine the popular discourse paradigm of“the production of space”and rethink its relationship with Geocriticism and Spatial Literary Studies.