论约恩·福瑟戏剧中的虚实之美

The Virtual and Real Aesthetics in Jon Fosse’s Drama

虚实结合是艺术审美的重要内容之一。约恩·福瑟(Jon Fosse)的戏剧是虚实美学艺术的重要实践。他的创作以意识流手法为基本指导,以“写即是听”为理念支撑,注重作家与作品以及角色声音之间的虚实交互逻辑。在文学作品中,他将“写即是听”的理念信条转化为泛指称谓的程式书写、沉默停顿的静场效果、平行空间的并置呈现的实践路径。福瑟戏剧的虚实之美是他对解构主义文字学的汉字表意理念与挪威民间文化交互融通的艺术结晶。由于文化的差异,虚实理念在中西方经历了迥异的发展路径,存在着不同的表达方式。但是,虚实理念作为一种艺术技巧,它并不是中西方文化的特定专属,而是中西方文化通过不同路径而最终共同实现的审美表达模式。

The combination of virtuality and reality is one of the important contents of artistic aesthetics.Jon Fosse’s drama is an important practice of virtual and real aesthetic art.His creation is instructed with the technique of stream of consciousness and supported with the fundamental concept of“writing is listening”and pay attention to the virtual and real interactive logic of the writer and the works,the voices of the characters.In literary works,he transformed the concept of“writing is listening”into the practical path of the stylized writing of generalized appellation,the static field effect of silent pause and the juxtaposition of parallel space.The virtual and real aesthetics of Fosse’s drama is the artistic essence of the integration of the concept of Chinese ideographic in deconstructivist philology and Norwegian folk culture.Due to cultural differences,the concept of virtuality and reality has experienced diverse development paths in China and the west,which exists different ways of expressions.However,as an artistic technique,the concept of virtuality and reality is not the specific exclusive of Chinese and western cultures.On the contrary,it is an aesthetic expression mode that Chinese and western cultures finally realize together through different paths.