数字资本主义时代马克思主义电影批评的赛博空间转向

The Cyberspatial Turning of Marxist Film Criticism in the Era of Digital Capitalism

随着资本主义的数字化,信息网络以前所未有的方式和规模渗透到社会的方方面面,文化工业成为全球经济发展的重心。资本主义虽依旧借助空间进行全球扩张和权力重组,但重心已经从城市空间的生产与再生产,转移到了对赛博空间的布控和重建。以“一般数据”为核心,资本主义新的组织形式、新的生活方式以及新的生产与剥削模式形成,“电影比喻”成为赛博空间展开文化生产的语法之一。由此,马克思主义电影批评的赛博空间转向,是数字资本主义时代下辨析新自由主义电影理论失语症的通路,是马克思主义本身应答时代课题的现实要求,也是左翼思想家保持斗争姿态的必要手段。

With the digitization of capitalism,information networks have penetrated all aspects of society in unprecedented ways and scales,making the cultural industry the focal point of global economic development.Although capitalism still exploits space for global expansion and reestablishing of power,its focus has shifted from the production and reproduction of urban space to the deployment control,and reconstruction of cyberspace.Using cinematic metaphor as basic grammar,a new organization form,lifestyle,and mode of production and exploitation has formed,focusing on general data.With the digitization of capitalism,Marxist critique of capitalism nowadays needs to manifest a“cyberspatial turning,”centering on film criticism.Hence,the cyberspatial turning of Marxist film criticism represents a pathway for deciphering the“aphasia”in neoliberal film theories amidst the digital capitalist era.It embodies Marxist self-aware response to the challenges of the era and underscores the imperative for leftist thinkers to maintain a posture of struggle.