游历视角下电影《海的尽头是草原》的三重书写

The Triple Writing of the Movie The End of the Sea is the Prairie fromthe Travel Perspective

《海的尽头是草原》由尔冬升执导,根据“三千孤儿入内蒙”的真实事件改编而成。导演通过主人公的游历视角进行叙事,以多元时空再现的形式对这一故事进行了创造性演绎,并通过新的视听样式与精细化电影工业创作自觉地赓续中国电影的本体探索,从而在新的影像结构中书写祖国的壮美河山,构筑了集体性风景认同。在寻亲之旅中完成了主人公心灵创伤的弥合、内心遗憾的填补,颇为成功地在影像中表现铸牢中华民族共同体意识。

The movie The End of the Sea is the Prairie is directed by Er Dongsheng and is based on the true events of Three Thousand Orphans Entering Inner Mongolia.The director narrated through the protagonist’s travels,creatively interpreted the story in the form of multiple time and space reproduction,and consciously continued the ontological exploration of Chinese films through new audio-visual styles and refined film industry,so as to write the magnificent rivers and mountains of the motherland in the new image structure and construct a collective landscape identity.In the journey of searching for relatives,the protagonist’s psychological wounds were bridged,his inner regrets were filled,and he built an identity with the image of the earth mother represented by the grassland and the sea,and successfully constructed a consciousness of community of the Chinese nation in the image.