民间舞蹈的多民族共享机制研究--以云南省红河县乐作舞为例

Research on the Sharing Mechanism of Multiple Ethnic Groups in Folk Dance:Taking Honghe County Lezuo Dance in Yunnan Province as an Example

国家级非物质文化遗产乐作舞发源于云南省红河县阿扎河乡垤施洛孟一带,集歌、舞、乐于一体,起初由哈尼族、彝族共创。随着族际交往范围的扩大,乐作舞传播到汉族、傣族、瑶族等民族中,是典型的多民族共享的民间舞蹈。文章通过分析多民族共享乐作舞的诗性根基、现实条件及价值逻辑,为民间舞蹈的多民族共享机制研究提供典型个案。多民族在增进乐作舞共同性的同时,又能尊重和包容其差异性,使乐作舞成为沟通多民族的艺术媒介和情感纽带。乐作舞个案经验表明,多民族共享民间舞蹈是多民族一体性身份认同的身体叙事和象征符号,是区域性多民族社会团结互助、和谐共处的重要基础。

The national intangible cultural heritage Lezuo Dance originated in the DieShi Luomeng area of Honghe County,Yunnan Province,integrating song,dance and music,and was co-created by the Hani and Yi ethnic groups.With the expansion of the scope of inter-ethnic interactions,Lezuo Dance spread to Han,Dai,Yao and other ethnic groups,and is a typical multi-ethnic sharing folk dance.By analyzing the poetic roots,practical conditions,and value logic of multi-ethnic sharing of the Lezuo Dance,this paper aims to provide typical case for studying the mechanism of multi-ethnic shared folk dance.Multi-ethnic people can respect and embrace their differences while enhancing the commonality of Lezuo dance,making Lezuo dance an artistic medium and emotional bond for multi-ethnic communication.The case study of the Lezuo Dance shows that the inter-ethnic shared folk dance is a physical narrative and symbol of multi-ethnic identity,constituting an important foundation for unity,mutual support and harmonious coexistence in regional multi-ethnic societies.