摘要
学术界常以“兄弟怡怡”形容失和以前周氏兄弟之间的关系。这种亲善的关系主要表现为兄弟之间一度形成的“情感-文学”共同体的生活、事业样态,它以鲁迅的道路选择为方向,而以周作人的主动追随为保障。一旦这两个前提条件被打破,所谓“兄弟怡怡”的形态也就随之失去。考察1906-1923年间周氏兄弟之间的关系,这种“情感-文学”共同体的形态,随着羽太信子的介入,又随着周作人自身思想的不断成熟,其实几经变化。由此,当我们重新考察失和事件,主要的并非要去探寻事实的“真相”,而是要通过相关资料的重新梳理,来还原从1901到1923年这20余年间周氏兄弟之间的生活、工作形态,呈示他们思想上的合与分。这既是周氏兄弟生平研究的需要,同时也是中国现代文学史研究的需要。
The academia often uses the phrase"brotherly harmony"to describe the relationship between the Zhou brothers before their disharmony.This agreeable relationship is mainly manifested in the life and career patterns of the"emotion-literature"community that once formed between the brothers,which is oriented around Lu Xun's path choice and guaranteed by Zhou Zuoren's active pursuit.Once these two prerequisites were broken,the so-called"brotherly harmony"pattern would also disappear.By studying the relationship between the Zhou brothers from 1906 to 1923,this"emotion-literature"community pattern underwent several changes with Yutai Xinzi's involvement and Zhou Zuoren's gradual maturity in his thoughts.Therefore,when we re-examine the disharmonious incident,the purpose is not to seek the"truth"of the facts,but to restore the life and work patterns between the Zhou brothers from 1901 to 1923 through the reorganization of relevant materials,showing their ideological unity and division.This is quite essential not only for the study of the Zhou brothers'lives,but also for the study of modern Chinese literary history.
出处
《学术月刊》
北大核心
2024年第9期153-166,共14页
Academic Monthly
