文学者鲁迅:文学与政治——以竹内好《鲁迅·政治与文学》为中心

Litterateur Lu Xun:Literature and Politics——Focused on Takeuchi Yoshimi’s Lu Xun:Politics and Literature

鲁迅的散文诗《希望》是“文学者的自觉”的注脚,即鲁迅对“有限”的自觉,包括鲁迅对生命之有限性的认识,背负着过去沉重包袱的原罪意识,以及对生命内部的“古老”之自觉。而鲁迅的杂文是对“我”之“有限”的一种抗争,因此成为竹内好探讨鲁迅与“政治与文学”的焦点。鲁迅在20世纪20年代中后期尤为关注托洛茨基《文学与革命》相关理论,这是鲁迅直面自身内部“古老”的理论资源的表现。本文遵循竹内好的思路,分析20世纪20年代中后期鲁迅关于“政治与文学”的杂文,并试图阐释鲁迅如何介入“政治与文学”的场域。

Lu Xun’s prose poem Hope serves as a testament to the“self-awareness of a litterateur”.This includes Lu Xun’s awareness of the“finite”,encompassing his recognition of the limitations of life,the burden of original sin from the past,and his awareness of the“ancient”within life itself.Lu Xun’s essays represent a struggle against the“finite”self,thus becoming the focal point of Takeuchi Yoshimi’s exploration of Lu Xun’s relationship with“politics and literature”.In the late 1920s,Lu Xun showed particular interest in Trotsky’s Literature and Revolution,which provided theoretical resources for Lu Xun to confront the“ancient”within himself.This paper follows Takeuchi Yoshimi’s approach to analyze Lu Xun’s essays on“politics and literature”from the mid to late 1920s and attempts to elucidate how Lu Xun engaged with the domain of“politics and literature”.