摘要
安迪·沃霍尔是美国波普艺术的代表人物,他的艺术创作包括多种艺术形式,其中对电影的探究具有哲学的品质。他的电影作品既是20世纪60年代美国地下电影的典型代表,又是结构电影的奠基之作。在风格转向的不断尝试中,安迪·沃霍尔打破了艺术和生活之间的界限,对时间的探索表达着强烈的生命意识,看似肤浅冷漠的复制和重复却言说着深刻的哲思,对60年代之后的电影浪潮产生了重要的影响。
Andy Warhol,a representative figure of American Pop Art,engaged in artistic creation across a variety of forms,among which his exploration of cinema carried a philosophical quality.His film works not only epitomize the American underground cinema of the 1960s but also lay the groundwork for structural film.Through continuous attempts at stylistic shifts,Andy Warhol broke down the barriers between art and life,expressing a strong consciousness of life in his exploration of time.The seemingly superficial and indifferent acts of replication and repetition articulate profound philosophical thoughts,exerting a significant influence on the wave of cinema that followed in the 1960s.
作者
闫琨骜
YAN Kun’ao(School of the Arts,Columbia University,New York 10025,America)
出处
《燕山大学学报(哲学社会科学版)》
2024年第5期26-31,共6页
Journal of Yanshan University:Philosophy and Social Science
基金
国家社科基金后期资助项目“艺术批评的后现代主义与全球化问题研究”(22FYSB035)。