菅茶山汉诗中鸟意象的文学意蕴探究

A Study on the Literary Implication of Bird Imagery in Kanchazan’s Chinese Poems

菅茶山是江户时期杰出的汉诗人,在其创作的2413首诗中,有756首融入了鸟的意象。鸟意象作为一种重要的文化符号和艺术表现手段,既表达出了菅茶山对家国的牵挂,也是其孤独寂寥的抒发,流露出避世情怀。在菅茶山的汉诗中,不仅承载着诗人的深厚情感,还体现了中日传统文化的交融。菅茶山汉诗中的鸟意象也为现代文学创作提供了丰富的素材和灵感来源。菅茶山诗歌艺术及其思想内核为研究日本汉诗和中日文化交流提供了新的视角,具备独特的文学和文化价值。

Kanchazan,an outstanding writer of Chinese poems during the Edo period,incorporated bird imagery into 756 of his 2,413 poems.The bird imagery,as an important cultural symbol and artistic expression,not only coneys Kanchazan’s concern for his homeland but also reflects his loneliness and seclusion.What can be found in Kanchazan’s Chinese Poems is his deep emotions and fusion of Chinese and Japanese traditional culture.Moreover,the bird imagery in his Chinese poems provides rich material and inspiration for modern literary works.Kanchazan’s poetic art and his ideological core provide a new perspective for studying Chinese poems composed in Japan,and Sino-Japanese cultural exchanges,thus highlighting its unique literary and cultural value.