从《色,戒》的“感情逆行”看张爱玲对读者心理的把握

An Analysis of Eileen Chang's Grasp of the Reader's Psychology from the“Emotional Regression”in Lust,Caution

品读《色,戒》这个虚构文本,不应该仅停留在小说的故事层面,而要重视它结构性的创造性因素。张爱玲对读者心理的巧妙把握,使《色,戒》整体呈现与《狼和小羊》相类似的结构特点。《色,戒》能引起读者强烈的情感反应:沉溺和清醒作为对立的两极同时存在,这种“感情逆行”始终牵引读者的双向度的情感,也为作品营造出独特的审美效果。这种复杂的艺术过程,可以不断匡正读者的认知,加深读者对历史、对社会现实的认识,对人性弱点的同情和理解。《色,戒》也以它的艺术成熟性再一次完成对“新文艺腔”的否定。

When intensively reading Lust,Caution,a fictional text,one should not only stay at the story level of the novel,but also pay attention to the creative elements of its structure.Eileen Chang's skillful grasp of the reader's psychology makes Lust,Caution present the structural characteristics as a whole similar to those of The Wolf and the Lamb.Lust,Caution can arouse strong emotional reactions from the readers:indulgence and sobriety exist at the same time as two opposing poles,and this kind of“emotional retrogression”is a two-way emotion that always pulls the readers,and creates a unique aesthetic effect for the work.This complex artistic process can constantly correct the reader's perception,deepen our knowledge of history and social reality,and sympathize with and understand the weaknesses of human nature.With its artistic maturity,Lust,Caution once again completes the negation of the“New Literary Accent”.