联结生态美学——“疏野”范畴的现代转化途径

Connecting to Ecological Aesthetics:A Way of Modernization for the Category of“Disperse and Wild”

“疏野”是中国古代美学中的一则综合性审美鉴赏范畴,在人物品评、诗歌鉴赏及绘画鉴赏、自然欣赏中均有使用,包含特定的自然审美观念。自然美学视角下的“疏野”范畴具有多重生态意蕴,如复归自然的位置意识、亲近自然的伦理取向、纯素质朴的审美取向和遂物之性的道德实践。通过联结当代生态美学,疏野范畴可以重新焕发生机,在当代审美文化、生态文化繁荣发展进程中发挥积极作用。

“Disperse and Wild”is a comprehensive category applied to aesthetic appreciation in the Chinese classical aesthetics.It can be found in the aesthetic appreciation of figure,poetry,painting and nature,indicating a close connection to natural aesthetics.On the viewpoint of natural aesthetics,“Disperse and Wild”has multiple ecological implications,including the positional awareness of returning to nature,the ethical orientation of being close to nature,the aesthetic orientation of pure quality and simplicity,and the moral practice of following the nature of things.It has significance for“Disperse and Wild”to connect to ecological aesthetics,through which it can revive and regain attention in contemporary aesthetics.Meanwhile,it makes a contribution to the prosperity of aesthetic culture and ecological culture.