摘要
抒情歌剧产生的背景与当时社会文化环境的变化、观众审美的转变以及艺术家们对歌剧形式的探索密切相关。在19世纪的欧洲,尤其是在法国,大歌剧(grand opéra)占据了主流地位,它以规模宏大的场景、历史题材、复杂的舞台设计和庞大的音乐结构为特点,深受法国新兴资产阶级的喜爱。然而,随着时间的推移,观众的审美旨趣发生变化,人们希望看到更为亲密和情感丰富的作品,而不仅仅是追求外在的壮丽效果。
OUTLINE/On the occasion of the 60th anniversary of the establishment of diplomatic relations between China and France,Opera magazine institutes a column that tracks historical development of French opera,captures its historical charm,and appreciates its stylistic evolution in the hopes of more cooperation and exchange in the field of culture and art between the two countries.
出处
《歌剧》
2024年第10期68-77,共10页
Opera
