康定斯基的反叛实践与现代主义绘画的观看机制变革

Kandinsky as a Rebel:Abstract Art and Scopic Regime of Modernism

本文以康定斯基及其艺术实践为例,试图探讨以反叛姿态出现的现代主义绘画在何种意义上代表了视觉政体的变革——在康定斯基这里,其文字与绘画所呈现的实证主义科学与神秘主义的杂糅,正是笛卡尔透视主义被科学实证主义所取代的过程中主体危机的一种表现形式。如果想要真正理解现代主义绘画的产生,就需要回到观看机制的问题上来。

art as an example,this paper attempts to explore the relationship between modernism painting,which shows an intense rebellious attitude,and scopic regime of modernism.In Kandinsky’s case,the hybridization of positivist science and mysticism in Kandinsky’s texts and paintings was precisely a manifestation of the crisis of the subject in the process of the replacement of Cartesian perspective by scientific positivism.In this sense,it is required to investigate the concept of scopic regime so as to better understand the emergence of modernist painting.