论“意境”“气氛”与“氛围感”

Yijing,Atmosphere and Sensuous Atmosphere

对“意境”概念的解读是中国传统美学研究的重要课题之一,但意境在融入现代美学及对外传播的过程中始终存在问题。自德国美学家波默的“气氛美学”传入中国,许多学者将其与“意境”进行类比,试图推进“意境”概念的发展,但这种努力目前看来仍未完全实现。产生于日常生活中的“氛围感”概念,既有“意境”体现出的中国传统美学特质,又与产生于环境美学及生活美学背景下的“气氛”概念息息相关,是“意境”在中国当下美学语境中的新话语。

The interpretation of the concept of yjing(意境)is an important topic in the study of traditional Chinese aesthetics,but there are problems integrating this concept and its international communication into modern aesthetics.Since the introduction of the German aesthetician Gernot Bohme's“atmosphere aesthetics”to China,many scholars have compared it to“yjing”and tried to develop“yjing”with atmosphere,but this effort seems to have not been fully realised.The concept of a“sensuous atmosphere”that arises in daily life is closely related to the characteristics rellcted in both“yjing”andal“atmosphere”.This understanding represents a new addition to the discourse of“yjing”in the current aesthetic context of China.