摘要
葛亮的小说创作呈现了“古典”风格与历史功能之间的关系。其早期小说具有形式游戏的特征,将时间和故事封存在形式内部,但这种表面上的“脱历史化”并非没有历史性。而后,葛亮开始在小说中构建新的历史时空。从“脱历史化”到“再历史化”以及代表性作品中以“遗迹”和“弱者”为绳结重新编织历史逻辑,葛亮的小说力图以“古典”的风貌与现代宏大叙事对话,重构文化连续性。
Ge Liang's novels exhibit a distinct relationship between"classical"style and historical function.Over time,Ge Liang began to construct new historical time-spaces in his fiction.His transition from"de-historicization"to"re-historicization,"and his representative works that weave historical logic through motifs of"relics"and"the weak,"reflect an effort to engage in a dialogue between"classical"aesthetics and modern grand narratives.Through this,his novels aim to reconstruct cultural continuity.
出处
《中国文学批评》
CSSCI
北大核心
2024年第4期23-29,187,共8页
Chinese Journal of Literary Criticism