摘要
意象美学以中国传统美学为精神内核,是一种具有鲜明价值性的当代美学理论。在美的本体论上,意象美学跳脱了二元对立以及分析美学对美进行语义分析的理论路径,以关乎人性价值需求的“意象”概念对美的本质予以了诗性阐释。在审美体验上,意象美学强调了审美所带来的形而上意蕴,将意象世界与个体生命的精神家园进行了汇通。在人生取向上,意象美学弘扬了一种美的理想价值,将审美活动导向了一种积极的人生。在当代美学研究渐趋出现事实与价值相分离的理论进程中,意象美学对美的价值的坚守极具意义。回归感性存在自身,注重审美与人生、人类命运的价值关怀,以美育人、引导一种美的理想人生,应成为当代美学研究与审美实践的基本内容。
In terms of the ontology of beauty,imagery aesthetics transcends dualistic opposition and the semantic analyses approach of analytic aesthetics.It poetically interprets the essence of beauty through the concept of"imagery,"which addresses the human need for value.Regarding aesthetic experience,imagery aesthetics emphasizes the metaphysical implications of aesthetics and connects the world of imagery with the spiritual home of individual life.In terms of life orientation,it promotes an ideal value of beauty,directing aesthetic activities toward a positive life path.In the theoretical process of contemporary aesthetics,in which facts and values tend to be separated,imagery aesthetics is of great significance in its adherence to the value of beauty.
出处
《中国文学批评》
CSSCI
北大核心
2024年第4期68-75,188,共9页
Chinese Journal of Literary Criticism