“新舞蹈”的话语流变与时空逻辑

Discourse Evolution and Space-Time Logic of“New Dance”

“新舞蹈”是中国舞蹈在20世纪的新现象与新发展,从“新舞蹈艺术”“社会主义民族新舞蹈”“中国特色社会主义新舞蹈”到“当代舞”,“新舞蹈”在20世纪中国的政治文化场域中历经启蒙、救亡与民族主义话语,民族国家与阶级话语,改革、人道主义与现代主义话语,艺术体制话语,呈现出历史语境对“新舞蹈”进行话语赋权的动态演进过程,形成社会主义文化时间和空间的建构逻辑。“新舞蹈”在“新”的语义之下始终保持中国舞蹈的现实主义品格,勾勒出中国社会主义舞蹈艺术的历史连续性,体现出中国舞蹈现代性的诗意建构。

“New dance”is a new phenomenon and development in Chinese dance during the 20th century.From“new dance art”,“new dance for the socialist nation”,and“new socialist dance with Chinese characteristics”to“contemporary dance”,“new dance”has evolved within China's political and cultural sphere throughout the 20th century,shaped by the discourses of enlightenment,salvation,and nationalism;the discourses of nation-state and class;the discourses of reform,humanism,and modernism;and the discourse of art system.This progression demonstrates the dynamic process of historical context empowering the discourse of new dance and forms the construction logic of socialist culture in terms of time and space.“New dance”has always maintained the realistic character of Chinese dance under the“new”context,outlining the historical continuity of socialist dance art in China,and reflecting the poetic construction of the modernity of Chinese dance.