摘要
长篇生态报告文学作品《江如练》超越传统的漓江风景书写的视觉局限,深入体现了漓江风景的生态意义。作品通过微观镜头下的漓江风景、寂静的漓江声景和作为精神家园的漓江心景,展现了人与自然的和谐共生的多维画面;通过人与自然的互动呈现风景,既将风景书写转换成生命书写,又将风景审美转化成人生审美,突破了人类中心主义的审美视角,激发了人们对漓江风景的生态美学之思。
The long-form ecological reportage work Jiang Ru Lian(A White Silk Ribbon-Like River)transcends the traditional visual limitations of the Lijiang River landscape writing,highlighting its ecological significance.Through the“three-scape”perspectives,namely,the microcosmic landscape,the silent soundscape,and the soulscape as a spiritual home,the work showcases the harmonious coexistence of humans and nature.It transforms landscape writing into life writing and converts landscape aesthetics into life aesthetics,breaking through anthropocentric views and inspiring an ecological aesthetic reflection on the landscape of the Lijiang River.
出处
《鄱阳湖学刊》
2024年第5期139-146,159,160,共10页
Journal of Poyang Lake
基金
浙江交通职业技术学院研究课题“浙江诗路文化的叙事性传播”(编号:2023RWSK09)。
